The balance of my day on Wednesday was checking emails and trying to write a few wikis regarding all that I had soaked up from these folks. Then Monika Janek came up to me and said she was going to see her boyfriend who works at the local studio Spin Pro in the King West Village and did I want to join them for dinner. Turns out I know a few animators there and almost took a job with Spin to work on Outlander. I wanted to say "hello" to everyone, so we headed out! This is Monika - the cutest System Admin chick you ever did meet!
Brian Dowrick and David Breaux are two animators I worked with at R & H and they are now working at Spin. It was great to catch up with them.
I also met Dusan Strugar (Pronounced Duuu-shan) who is the Animation Supervisor and Jeff Campbell the VFX Supervisor at Spin on the Outlander show. We then left to go eat at KiWe Kitchen.
Brian couldn't come to dinner but here is David...
and I think he was drinking water!
And here is the happy couple Erin and Monika -
they are recently engaged! Erin is a modeler at Spin.

Although very trendy and would fit into any setting in hollywood,
the folks at KiWe couldn't make a martini if they tried.
The waiter was gorgeous and made up for that a little bit...
The decor was really kewl and mod in this place.
This is what the ceiling in the main dining room looked like.
And then I look to my left and see the needle tower again! - It's like following me!
The ceiling in the front dining room is really arty
and you can tell the metal has all been cut out by hand...
their image below from their website really shows
how pretty it is with the lighting.
Here is my close up..
Anyone who has seen my siggraph blogs knows
I take pix of good food! Remember Crabcakes OMG in Boston?
I took a picture of the tuna lemon pasta
because it was so good!
Aimee is another animator on the Outlander show
and also worked at C.O.R.E. on The Wild using Houdini.
She modeled more Canadian money for me!
And the Rigging Supervisor on Outlander joined us -
Ran... he is Isreali, but moved here
from Germany and is hilarious!
Now that our tummies are full,
we decide to trek to Little Italy
per Aimee's recommendation.

We finally chose a martini bar, after
(in classic LA style they blew off several as "lame").
I soon convinced Erin to model my cocktail napkin rose
in Jonesie Cake style...
Dusan, Aimee, Ran, Erin, and Monika...we had a great time! Soon, I had to go home because even though I was on LA time and it was only 11pm to me, Dusan was trying to drink me under the table and I really needed to be able to speak the next day at SideFX.
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Thursday May 10th, 2007
So, Thursday brought more pow wows with the guys and I was able to spend more time with Calin going over his new tools for Houdini - sorry I can't tell you much, except that Siggraph in San Diego will be a great place to check them out! That night I went to Peter Robbins house. Peter is another helpful soul at SideFX and really understands artists and their plight -while still being amazingly smart and technical like Jeff. He is kind of that syphon that takes all of the stuff Jeff talks about and makes it something an artists can understand.
Peter took me - as he put it - "the scenice route" to his house and didn't tell me it was 30 miles away in a town called Keele. We rode the trolley and then the underground tram and finally walked for what it seemed like miles. I took this picture as we walked of a kewl sign. I just liked the design.
I was so happy to be at his house finally and was really hungry. His wife Debbie was amazing and made me a homemade meal of chicken, asparagus, rice, salad and cookies and ice cream for desert! We sipped on their home made wine and talked about everything under the sun.
Debbie makes hand made quilts, so it was "over for Peter" - once we got into talking sewing, crafting and making things with our hands. Again, I was having so much fun I didn't take any pix and I regret that...but I did take a snap of Peter with Jeff's homemade syrup on the table!
I was supposed to hook up with Greg Hermanovic and go to an art party that night after dinner, but I was just so beat after the great food and all the amazing talk and then more bus, tram and trolley back to the hotel. I think I was asleep as soon as my head hit the pillow.
Most of Friday was filled with working with Calin on rigs and character tools. However, I did have a great talk with the President and CEO - Kim Davidson. Kim is another really smart guy who started Prisims software after acquiring Omnibus Computer Graphics with Greg Hermanovic. Omnibus had "gone under," after purchasing both Digital Productions and Abel Associates (two poineering computer graphics studios in LA). In 1987, Greg and Kim created a "pheonix" from those ashes and SideFX software was born.
This picture was taken at Ominbus on the Paramount lot. Front: Harold Buchnman (Left) and Larry Weinberg (Right) Behind (From left to right): Pactrick DeWarren,
Michael Kory, Eric Reid, Bob Hoffman
If you pay attention and really "get to know" the people you are working with, you would be amazed at the history that is standing right next to you. I have had the priviledge to work with and meet folks like Larry Weinberg, Sherry McKenna, Brad Hunt, Diego Angel, Richard Taylor, Con Pederson, John Hughes, Richard Hollander, Neil Eskuri, Liza Keith and so many more. As Jamie and I say in our book, we are "standing on the shoulders of giants." And, I cannot tell you how exciting it is for me to be surrounded by folks who have been making images with computers for so long - real poineers. I am determined and optimistic that we can make a great product that artists will readily embrace - just as much as the technical community in CG has done with Houdini.
You know how animators are taught the 12 principles of animation? #11 is Solid Drawing. I translate this principle for computer generated animation into a solid understanding of the computer and your tools. Yes, it's important to be able to sketch gestures and thumbnails quickly and draw what you see in your "minds eye" so you do not waste time when you pick up the mouse. BUT! If you do not have command of the tools in the software you are using in CG, you will be as lost as a bad draughtsman would be trying to make it as an animator in traditional animation circles.
For the young-starry eyed animators entering the field today, I say...next time you start a new job? look at the executive team and the technical staff at that studio. You might be surprised the history that is walking the halls and the folks who have been creating images on a computer since before you were born.
In closing, it was an eye opening trip. I was able to experience Canadian immigration, drink and eat alot of great food and martinis, meet the nicest people in the world (not to mention some of the smartest) and make some new friends. I leave you with some fun pix I took on my way out of town...the Canadian cops have funny uniforms (so formal). Venice Beach cops are all tatted up and would never wear a hat and mess their hair up!



I carry old drawings by the masters with me
when I travel, and try to copy them.
They took my pencil sharpener in the metal detector thingy.
And, I stupidly forgot to pack my eraser,
but here are some sketches I did
waiting for the plane and flying...
I encourage you to always draw,
even if you don't have an eraser :)


And nothing makes you miss home
like being away for a while! :)Pic from my deck.