Showing posts with label horror manga. Show all posts
Showing posts with label horror manga. Show all posts

LINKS AROUND THE INTERWEBS

The weekend's completely over and it's been rainy and now feezing cold in San Francisco. Totally bogus. Here are some heard-warming links to interesting reads from the past weekend.

  • Tokyo Scum Brigade vs. Kazuo Umezz Parts 1 & 2 The big news! My friends at TSB have begun serializing their in-depth interview with Kazuo Umezu! They were lucky enough to visit the Makoto-chan house in person, have lunch with Umezz & Demerin, and interview him on camera a few weeks ago. By everyone's reckoning, this is Umezu's first English language interview. In the first two parts, the TSB boys talk to Uncle Kaz about his childhood, and early encounters with Tezuka's manga and drawing Shojo weeklies. These are a MUST-READ for Same Hat horror junkies!
    [PART 1] & [PART 2]



  • (Kazuo Umezu in high school showing off a drawing!)

  • Jog dissects the '80s MANGA anthology (and in doing so, drops major science on the definition of "manga" among Western audiences). This was a fascinating read from pretty much the best comics/manga reviewer on the internet. Jog uses this odd collection of manga (featuring Keizo Miyanishi , Noriyoshi Olai, Otomo and others) as a jumping off point for a long discussion of publishing trends since the early 80s.
    [PART 1] and [PART 2]




  • I DRAW YOUR SHIT series on the Electric Ant Zine Blog! It's a series of posts where we take turns doing tributes/covers to each other's characters. It's admittedly self-referential, but has become a great excuse for the extended EAZB readership to get off out butts each week and draw. So far, we've done TING & TERNG, the conjoined twin bullies from Hellen Jo's Jin & Jam #1, and MAX GUY from Lamar Abrams' Remake. It's open to anyone that wants to join, so check 'em out and take part in the next round (starting on Monday)
    [LINK]




  • The Drifting Classroom: The Game: The Soundtrack OTAKU USA games/anime editor and Same Hat buddy Joseph Luster created a chiptune tribue to an imagined 8-bit game adaptation of Kazuo Umezu's child/anarchism nightmarescape manga Drifting Classroom.
    [LINK]




  • Daul Kim, RIP Not necessarily relevant to everyone here, but I wrote up a short memorial post for the passing of supermodel / blogger Daul Kim, who died by suicide last month. Among other things, Kim was a cool girl and into the same stuff as us: blogging, zines, Shinya Tsukamoto, Wong Kar-Wai, Klaus Kinski, etc.
    [LINK]




  • Who is Makoto Takahashi? Same Hat BFF zytroop has been on a role lately at KURUTTA (despite a tragic hard drive crash), but this post was a stunning gem for me- a collection of art from a "1957 shōjo manga called The Rows of Cherry Trees (さくら並木) by a man named Macoto, or Makoto, Takahashi (高橋真琴)."
    [LINK]




I also share a bunch of random posts on Google Reader, which you can see on the links on the left or can view/subscribe to them here.

LINKS AROUND THE INTERWEBS

The weekend's completely over and it's been rainy and now feezing cold in San Francisco. Totally bogus. Here are some heard-warming links to interesting reads from the past weekend.

  • Tokyo Scum Brigade vs. Kazuo Umezz Parts 1 & 2 The big news! My friends at TSB have begun serializing their in-depth interview with Kazuo Umezu! They were lucky enough to visit the Makoto-chan house in person, have lunch with Umezz & Demerin, and interview him on camera a few weeks ago. By everyone's reckoning, this is Umezu's first English language interview. In the first two parts, the TSB boys talk to Uncle Kaz about his childhood, and early encounters with Tezuka's manga and drawing Shojo weeklies. These are a MUST-READ for Same Hat horror junkies!
    [PART 1] & [PART 2]



  • (Kazuo Umezu in high school showing off a drawing!)

  • Jog dissects the '80s MANGA anthology (and in doing so, drops major science on the definition of "manga" among Western audiences). This was a fascinating read from pretty much the best comics/manga reviewer on the internet. Jog uses this odd collection of manga (featuring Keizo Miyanishi , Noriyoshi Olai, Otomo and others) as a jumping off point for a long discussion of publishing trends since the early 80s.
    [PART 1] and [PART 2]




  • I DRAW YOUR SHIT series on the Electric Ant Zine Blog! It's a series of posts where we take turns doing tributes/covers to each other's characters. It's admittedly self-referential, but has become a great excuse for the extended EAZB readership to get off out butts each week and draw. So far, we've done TING & TERNG, the conjoined twin bullies from Hellen Jo's Jin & Jam #1, and MAX GUY from Lamar Abrams' Remake. It's open to anyone that wants to join, so check 'em out and take part in the next round (starting on Monday)
    [LINK]




  • The Drifting Classroom: The Game: The Soundtrack OTAKU USA games/anime editor and Same Hat buddy Joseph Luster created a chiptune tribue to an imagined 8-bit game adaptation of Kazuo Umezu's child/anarchism nightmarescape manga Drifting Classroom.
    [LINK]




  • Daul Kim, RIP Not necessarily relevant to everyone here, but I wrote up a short memorial post for the passing of supermodel / blogger Daul Kim, who died by suicide last month. Among other things, Kim was a cool girl and into the same stuff as us: blogging, zines, Shinya Tsukamoto, Wong Kar-Wai, Klaus Kinski, etc.
    [LINK]




  • Who is Makoto Takahashi? Same Hat BFF zytroop has been on a role lately at KURUTTA (despite a tragic hard drive crash), but this post was a stunning gem for me- a collection of art from a "1957 shōjo manga called The Rows of Cherry Trees (さくら並木) by a man named Macoto, or Makoto, Takahashi (高橋真琴)."
    [LINK]




I also share a bunch of random posts on Google Reader, which you can see on the links on the left or can view/subscribe to them here.

OTHER HORROR FINDS FROM CAFE MIKA SALE

Well, damn. Based on the feedback to the last post, I think another CYBER BLUE post is in order. There are many, many more goodies to share if you'd like to see them.

Meanwhile, I forgot to post these two photos from manga hunting at the Cafe Mika going-out-of-business sale:


First up: AT THE MERCY OF DARKNESS (yami no mani mani)by Shungicu Uchida, aka Shigeko Uchida-- prolific and multifaceted performer/artist/cartoonist.


Also: ZASHIKI ONNA by Minetaro Mochizuki (Dragon Head, Maiwai). This is a one-shot horror manga about a creepy stalker woman; My buddy Haruna pointed out the title is a nod to the yokai folk spirit 座敷童 (zashiki warashi). I really love the way they did the type treatment on the kanji on the cover.

Any fans of these two books? Okay, real posts with actual substance coming very soon. I'm getting stressed about Issue 2 of Electric Ant and having trouble thinking straight right now!

OTHER HORROR FINDS FROM CAFE MIKA SALE

Well, damn. Based on the feedback to the last post, I think another CYBER BLUE post is in order. There are many, many more goodies to share if you'd like to see them.

Meanwhile, I forgot to post these two photos from manga hunting at the Cafe Mika going-out-of-business sale:


First up: AT THE MERCY OF DARKNESS (yami no mani mani)by Shungicu Uchida, aka Shigeko Uchida-- prolific and multifaceted performer/artist/cartoonist.


Also: ZASHIKI ONNA by Minetaro Mochizuki (Dragon Head, Maiwai). This is a one-shot horror manga about a creepy stalker woman; My buddy Haruna pointed out the title is a nod to the yokai folk spirit 座敷童 (zashiki warashi). I really love the way they did the type treatment on the kanji on the cover.

Any fans of these two books? Okay, real posts with actual substance coming very soon. I'm getting stressed about Issue 2 of Electric Ant and having trouble thinking straight right now!

TAKING TACO CHE... BY STRATEGY!

In the comments of the 4th anniversary post, jimpac asked for a post sharing pics and details about TACO che. I've had dozens of photos saved up and now that I've been kicked in the pants (and found a happy solution for hosting lots of pictures with PictoBrowser), it's time to post everything!

Folks reading on RSS: PictoBrowser doesn't play nice with you, so please click through and come see the 100+ photos! Mouse over 'Notes' to read the photo captions.

If you've been reading Same Hat for a while, you've probably heard me talk about the Nakano Broadway Mall. It's located just west of Shinjuku, and home to a sprawling complex of strange, otaku stores-- including the massive 15+ Mandarake shops. It's like a more underground and less commercialized version of Akiba, minus the foreign tourists with cameras and with more of the stuff we all like. How to get to Nakano Broadway and maps/pics from the Mandarake shops can be found here.



Last Spring, my GF and I went to Japan for two weeks, and I managed to fit two trips to the greatest shop in Nakano Broadway (and quite possibly, my favorite shop of any kind in the world), TACO che!! I was originally told about the shop by my German buddy Ben (who gavee me the Shintaro Kago Bullying kit from there back in 2007). TACO che is pretty much THE underground manga shop of your dreams. They don't have a specific tie to any one publisher, but I heard that the owner is close with the folks that fun Seirinkogeisha. The shop carries fan zines, dojinshi, along with nearly every title by Seirinkogeisha, EnterBrain/Beam and all the other indies we love.



The shop is located on the 3rd floor, in the general vicinity of the northwest end of the Nakano Broadway mall. Here are some shots from inside the store. The place is tiny, but every square foot is something cool and tempting:



These photos are all from March 2008, and reflect the books and goods that were hot at the time. Kazuo Umezu's 50th Anniversary (of his career in manga) celebration was in full force, and the store was crammed full of incredible Umezz goods:



In my two trips to the shop, I spent (eeek) over 300 bucks and filled a suitcase with books. I didn't really have 300 bucks to spend on comics, but I. JUST. COULDN'T. HELP. MYSELF. In addition to the bigger pubs and indie zines I mentioned above, TACO che also publishes their own occasional zines and pamphlets (which are insanely excellent, like this). Here is just a small smattering of the manga gems I am talking about:



Not content to be simply the BOOK store of our dreams, TACO che also carries limited edition shirts, toys and DVDs, including Suehiro Maruo posters made just for TACO che (sorry, I can't find that pic at the moment, will take one of the miniposter on my wall). Here are some of the shirts:



And here are some of the goodies:



They also carry lapel pins by all our favorites:



I tried to include good captions for all those pics, but if you have any questions (or corrections!) leave a comment here! You can see the photos directly at the non-flashy Same Hat flickr, which I'm using just to store pics for PictoBrowser to pull from.

TACO che continues to be the epicenter for all the manga and art we all love so much, so I'll keep my eyes ope on their blog and post interesting news. In the coming month or so, TACO che will be hosting signing events with Takashi Nemoto and Jun Hayami- hopefully Nate or Schultz can check those out for us!!

TAKING TACO CHE... BY STRATEGY!

In the comments of the 4th anniversary post, jimpac asked for a post sharing pics and details about TACO che. I've had dozens of photos saved up and now that I've been kicked in the pants (and found a happy solution for hosting lots of pictures with PictoBrowser), it's time to post everything!

Folks reading on RSS: PictoBrowser doesn't play nice with you, so please click through and come see the 100+ photos! Mouse over 'Notes' to read the photo captions.

If you've been reading Same Hat for a while, you've probably heard me talk about the Nakano Broadway Mall. It's located just west of Shinjuku, and home to a sprawling complex of strange, otaku stores-- including the massive 15+ Mandarake shops. It's like a more underground and less commercialized version of Akiba, minus the foreign tourists with cameras and with more of the stuff we all like. How to get to Nakano Broadway and maps/pics from the Mandarake shops can be found here.



Last Spring, my GF and I went to Japan for two weeks, and I managed to fit two trips to the greatest shop in Nakano Broadway (and quite possibly, my favorite shop of any kind in the world), TACO che!! I was originally told about the shop by my German buddy Ben (who gavee me the Shintaro Kago Bullying kit from there back in 2007). TACO che is pretty much THE underground manga shop of your dreams. They don't have a specific tie to any one publisher, but I heard that the owner is close with the folks that fun Seirinkogeisha. The shop carries fan zines, dojinshi, along with nearly every title by Seirinkogeisha, EnterBrain/Beam and all the other indies we love.



The shop is located on the 3rd floor, in the general vicinity of the northwest end of the Nakano Broadway mall. Here are some shots from inside the store. The place is tiny, but every square foot is something cool and tempting:



These photos are all from March 2008, and reflect the books and goods that were hot at the time. Kazuo Umezu's 50th Anniversary (of his career in manga) celebration was in full force, and the store was crammed full of incredible Umezz goods:



In my two trips to the shop, I spent (eeek) over 300 bucks and filled a suitcase with books. I didn't really have 300 bucks to spend on comics, but I. JUST. COULDN'T. HELP. MYSELF. In addition to the bigger pubs and indie zines I mentioned above, TACO che also publishes their own occasional zines and pamphlets (which are insanely excellent, like this). Here is just a small smattering of the manga gems I am talking about:



Not content to be simply the BOOK store of our dreams, TACO che also carries limited edition shirts, toys and DVDs, including Suehiro Maruo posters made just for TACO che (sorry, I can't find that pic at the moment, will take one of the miniposter on my wall). Here are some of the shirts:



And here are some of the goodies:



They also carry lapel pins by all our favorites:



I tried to include good captions for all those pics, but if you have any questions (or corrections!) leave a comment here! You can see the photos directly at the non-flashy Same Hat flickr, which I'm using just to store pics for PictoBrowser to pull from.

TACO che continues to be the epicenter for all the manga and art we all love so much, so I'll keep my eyes ope on their blog and post interesting news. In the coming month or so, TACO che will be hosting signing events with Takashi Nemoto and Jun Hayami- hopefully Nate or Schultz can check those out for us!!

BEST X OF EVERYTHING 2008: Manga!

It's a few weeks late, but here is the first in my series of YEAR-IN-REVIEW 2008 posts. I'm splitting things (perhaps unduly, so sue me) to the following categories: BEST MANGA! BEST COMICS! BEST BLOGS! and MOST ANTICIPATED IN 09! This is similar to what I did last year, except I smooshed all my best of 2007 lists into one post.

Since we're almost into the third week of 2008, I'll keep this short and get right to the list... I'm most interested in hearing your thoughts on my thoughts and what stuff I stupidly left out. I'll see you guys in the comments!

12. Red Colored Elegy by Seiichi Hayashi


Aside from the exterior book design/cover (which I still find sorta wretched), Drawn & Quarterly treated this gekiga and impressionistic book with love and care. Less of a narrative graphic novel than an experiment and whirlpool of gut-sucking malaise, I found myself depressed and worn-out by the end of the book. Now when do we get Tsuge's Nejishiki in English?

11. Suppli 2 by Okazaki Mari

Maybe it's a sign I'm moving through my mid-twenties and onto my late-twenties in the next little while, but I really was FEELING the female protagonist Minami. The depictions of work and office life, the subtle sexism of the corporate sphere and the angst about meeting and starting a real relationship with someone new is great in this series, volume 2 especially. What the fuck Tokyopop, don't kill this one off!

10. Monster 14 by Naoki Urasawa

The entire last half of Monster was a blur of excitement and shocks and-- dude, Urasawa! You are introducing new characters every 20 pages!?! While some folks balk at the ending (I wasn't so frustrated by it, myself), volume 14 was a high point in seinen drama, with Nina's discoveries at Red Rose Mansion (and the creepy-ass Velkooky Velkousty kid's book) give way to details on the night of Johan's shooting as a young boy. IN-TENSE. I love you, Urasawa.

9. Parasyte 3 by Hitoshi Iwaki

Volumes 4 and 5 are solid as well, but #3 is where the unraveling of Shin's humanity began to dawn on me and freak me out. The school battle in the second half of the book is brutal, with soupy gore covering an entire floor of a school. A dense and extremely satisfying book in which Iwaki finally started to poke the reality of the surrounding world. Also, a parasyte woman using the volcan death grip on her 2-month old baby?? PRICELESS. Iwaki has this thing under control, my friends.

8. Dororo #2 by Osamu Tezuka

First off, another round of applause to Peter Mendelsen for great book design work on this series. The entire series (while unfinished by Tezuka) weaves period drama with yokai folklore without making it bland or cheesy. The opening scene of Dororo's unabashed emotion at the samurai executions was surprisingly poignant. I also am down with any book that includes bad dads, moth demonesses and knife-wielding gender-bending.

7. Travel by Yoichi Yokoyama

Yokoyama is an alien, who speaks in a multi-dimensional language that is beyond the reach of our language-processing cortex. I can get why this book was a hard sell for some people, but I think it's one of the most interesting and important manga titles to be released in the last few years. Yokoyama depicts 3 dudes buying tickets, boarding a train, watching the scenery and finally, arriving. That's it, and it's jaw-dropping, a super-charged visual bunker buster that I keep coming back to.

6. The Drifting Classroom 11 by Kazuo Umezu

This is how all great series should end: reunited friends, psychic preschooler daisy chains, transdimensional surgery, dynamite teleportation, anarchist subtext, dismembered limb claw attacks, child-like hope and... NO SALVATION. Well goddamn, Umezu-san. That's it then. I bow down to you, sir.

5. Nana 8 by Ai Yazawa

Nana has reserved a place for itself near the top of my all-time favorite series (of any kind, in any medium) list. The entire recent run has been fantastic, but issue 8 marked the beginning of the end for Nana & Hachi's normal(?) life. The scene with Hachi & Shin killllllled me. This is some good shit, right here.

4. Monster Men Bureiko Lullaby by Takashi Nemoto

What is wrong with you people? Why haven't more people bought this book? I need to do a proper write-up sometime in the next few weeks, but PictureBox put their necks out with this gem (poopsicle?) of REAL, HONEST TO GOD, 100% UNDERGROUND MANGA. While it's easy to gross out friends with the depraved baby in the womb fucking mommy while getting pegged by daddy scene (And you thought you had seen it all before?), Monster Men is an extremely righteous and layered piece of heta-uma gold. Nemoto has the goods to make even me squirm a bit, but in this book he's also systemically taking apart and doling out commentary on class, the comics medium and contemporary Japanese society. A MUST-HAVE for Same Hat readers.

3. Goodbye & Other Stories by Yoshihiro Tatsumi

The top 3 are unshakable and golden manga classics, the best of the best and a rare treat to get so many quality, thick books like these in one year. Goodbye is the third in D&Q's (hopefully) continuing series of short story collections of Tatsumi's work. My GF and I were split about if this surpassed Abandon The Old in Tokyo in terms of raw power and literary merit (she says it's her favorite of the Tatsumi collections), but Goodbye & Other Stories is a triumph. I've read the first 100 pages of this year's A DRIFTING LIFE (the 830pg Tastumi autobiography) and I guarantee it will be at the top of all of our best of 2009 lists.

2. Black Jack #1 by Osamu Tezuka

BJ, the king of cool, came back into glorious print again. So far we've had two volumes, with 4 or 5 more volumes on the way in 2009. Black Jack is Tezuka at the top of his action and drama game, and this first volume was distilled goodness (with a few dashes of retarded Tezuka's patent over-indulgence and gooeyness). This book is like a super-concentrated formula of all things great about comics as a medium. Thank you for bringing this beautiful bad boy back, Vertical!

1. Disappearance Diary by Hideo Azuma

I read Azuma's funny and bleak autobiography about life as a manga artist in one full sitting, on an airplane heading home for the holidays. The story is served up to us in 4 sections, corresponding roughly to Azuma's own cycles of addiction, madness, and exhaustion. I never stopped feeling the tug of these sad episodes, even as Disappearance Diary broke into some utterly funny, and often mundane, daily episodes from Azuma's "disappeared" weeks and months . Other reviewers have done a better job explaining this book's greatness, but it was the manga that moved me most in 2008.

OTHER NOTABLES
After School Nightmare by Setona Mizushiro

I am not caught up with the most recent volumes, but I think After School Nightmare is one of the most fluid and intriguing series being published right now. I was put off by the cover and art for a long time, but when I finally sat down to read it I found a psychosexual and honest high school drama that I really could get into.

Solanin by Inio Asano

God, what kind of manga nerd am I? This would be up above on the list except I haven't finished reading it and made up my mind about this book. I'm actually about 200 pages into it, right now... Some folks loved the angst and floating nothing depiction of post-graduation life, while other mangasphere folks thought it was aimless and boring. I'm hooked right now, but need to see where we end up going (if anywhere) before I figure out exactly how I feel.

Cat Eyed Boy by Kazuo Umezu

While I loved Cat Eyed Boy, it couldnt quite compare to the raw madness of Drifting Classroom, or the more subtle and historical action-take on yokai in Dororo. That said, this 2-volume monstrosity it blissful and revolting, depicting a juvenile (but at times, intensely GROSS and CREEPY) series of unfortunate events. I feel like Viz has a few more Umezu series up their sleeves (Makoto-chan? My Name is Shingo? Baptism?) and I can't wait.

Tokyo Zombie by Yusaku Hanakuma

I can't in good conscience put a book Evan and I worked on into my "best of-" list, but I sincerely think this was one of the most pleasurable reads of the year (even after the 60+ times I read the book). Our first published translation/adaptation, Tokyo Zombie will always be near the top of my favorite manga list, of any year.

COMING VERY SOON: Best Comics! Best Blogs! and Most Anticipated 2009!

BEST X OF EVERYTHING 2008: Manga!

It's a few weeks late, but here is the first in my series of YEAR-IN-REVIEW 2008 posts. I'm splitting things (perhaps unduly, so sue me) to the following categories: BEST MANGA! BEST COMICS! BEST BLOGS! and MOST ANTICIPATED IN 09! This is similar to what I did last year, except I smooshed all my best of 2007 lists into one post.

Since we're almost into the third week of 2008, I'll keep this short and get right to the list... I'm most interested in hearing your thoughts on my thoughts and what stuff I stupidly left out. I'll see you guys in the comments!

12. Red Colored Elegy by Seiichi Hayashi


Aside from the exterior book design/cover (which I still find sorta wretched), Drawn & Quarterly treated this gekiga and impressionistic book with love and care. Less of a narrative graphic novel than an experiment and whirlpool of gut-sucking malaise, I found myself depressed and worn-out by the end of the book. Now when do we get Tsuge's Nejishiki in English?

11. Suppli 2 by Okazaki Mari

Maybe it's a sign I'm moving through my mid-twenties and onto my late-twenties in the next little while, but I really was FEELING the female protagonist Minami. The depictions of work and office life, the subtle sexism of the corporate sphere and the angst about meeting and starting a real relationship with someone new is great in this series, volume 2 especially. What the fuck Tokyopop, don't kill this one off!

10. Monster 14 by Naoki Urasawa

The entire last half of Monster was a blur of excitement and shocks and-- dude, Urasawa! You are introducing new characters every 20 pages!?! While some folks balk at the ending (I wasn't so frustrated by it, myself), volume 14 was a high point in seinen drama, with Nina's discoveries at Red Rose Mansion (and the creepy-ass Velkooky Velkousty kid's book) give way to details on the night of Johan's shooting as a young boy. IN-TENSE. I love you, Urasawa.

9. Parasyte 3 by Hitoshi Iwaki

Volumes 4 and 5 are solid as well, but #3 is where the unraveling of Shin's humanity began to dawn on me and freak me out. The school battle in the second half of the book is brutal, with soupy gore covering an entire floor of a school. A dense and extremely satisfying book in which Iwaki finally started to poke the reality of the surrounding world. Also, a parasyte woman using the volcan death grip on her 2-month old baby?? PRICELESS. Iwaki has this thing under control, my friends.

8. Dororo #2 by Osamu Tezuka

First off, another round of applause to Peter Mendelsen for great book design work on this series. The entire series (while unfinished by Tezuka) weaves period drama with yokai folklore without making it bland or cheesy. The opening scene of Dororo's unabashed emotion at the samurai executions was surprisingly poignant. I also am down with any book that includes bad dads, moth demonesses and knife-wielding gender-bending.

7. Travel by Yoichi Yokoyama

Yokoyama is an alien, who speaks in a multi-dimensional language that is beyond the reach of our language-processing cortex. I can get why this book was a hard sell for some people, but I think it's one of the most interesting and important manga titles to be released in the last few years. Yokoyama depicts 3 dudes buying tickets, boarding a train, watching the scenery and finally, arriving. That's it, and it's jaw-dropping, a super-charged visual bunker buster that I keep coming back to.

6. The Drifting Classroom 11 by Kazuo Umezu

This is how all great series should end: reunited friends, psychic preschooler daisy chains, transdimensional surgery, dynamite teleportation, anarchist subtext, dismembered limb claw attacks, child-like hope and... NO SALVATION. Well goddamn, Umezu-san. That's it then. I bow down to you, sir.

5. Nana 8 by Ai Yazawa

Nana has reserved a place for itself near the top of my all-time favorite series (of any kind, in any medium) list. The entire recent run has been fantastic, but issue 8 marked the beginning of the end for Nana & Hachi's normal(?) life. The scene with Hachi & Shin killllllled me. This is some good shit, right here.

4. Monster Men Bureiko Lullaby by Takashi Nemoto

What is wrong with you people? Why haven't more people bought this book? I need to do a proper write-up sometime in the next few weeks, but PictureBox put their necks out with this gem (poopsicle?) of REAL, HONEST TO GOD, 100% UNDERGROUND MANGA. While it's easy to gross out friends with the depraved baby in the womb fucking mommy while getting pegged by daddy scene (And you thought you had seen it all before?), Monster Men is an extremely righteous and layered piece of heta-uma gold. Nemoto has the goods to make even me squirm a bit, but in this book he's also systemically taking apart and doling out commentary on class, the comics medium and contemporary Japanese society. A MUST-HAVE for Same Hat readers.

3. Goodbye & Other Stories by Yoshihiro Tatsumi

The top 3 are unshakable and golden manga classics, the best of the best and a rare treat to get so many quality, thick books like these in one year. Goodbye is the third in D&Q's (hopefully) continuing series of short story collections of Tatsumi's work. My GF and I were split about if this surpassed Abandon The Old in Tokyo in terms of raw power and literary merit (she says it's her favorite of the Tatsumi collections), but Goodbye & Other Stories is a triumph. I've read the first 100 pages of this year's A DRIFTING LIFE (the 830pg Tastumi autobiography) and I guarantee it will be at the top of all of our best of 2009 lists.

2. Black Jack #1 by Osamu Tezuka

BJ, the king of cool, came back into glorious print again. So far we've had two volumes, with 4 or 5 more volumes on the way in 2009. Black Jack is Tezuka at the top of his action and drama game, and this first volume was distilled goodness (with a few dashes of retarded Tezuka's patent over-indulgence and gooeyness). This book is like a super-concentrated formula of all things great about comics as a medium. Thank you for bringing this beautiful bad boy back, Vertical!

1. Disappearance Diary by Hideo Azuma

I read Azuma's funny and bleak autobiography about life as a manga artist in one full sitting, on an airplane heading home for the holidays. The story is served up to us in 4 sections, corresponding roughly to Azuma's own cycles of addiction, madness, and exhaustion. I never stopped feeling the tug of these sad episodes, even as Disappearance Diary broke into some utterly funny, and often mundane, daily episodes from Azuma's "disappeared" weeks and months . Other reviewers have done a better job explaining this book's greatness, but it was the manga that moved me most in 2008.

OTHER NOTABLES
After School Nightmare by Setona Mizushiro

I am not caught up with the most recent volumes, but I think After School Nightmare is one of the most fluid and intriguing series being published right now. I was put off by the cover and art for a long time, but when I finally sat down to read it I found a psychosexual and honest high school drama that I really could get into.

Solanin by Inio Asano

God, what kind of manga nerd am I? This would be up above on the list except I haven't finished reading it and made up my mind about this book. I'm actually about 200 pages into it, right now... Some folks loved the angst and floating nothing depiction of post-graduation life, while other mangasphere folks thought it was aimless and boring. I'm hooked right now, but need to see where we end up going (if anywhere) before I figure out exactly how I feel.

Cat Eyed Boy by Kazuo Umezu

While I loved Cat Eyed Boy, it couldnt quite compare to the raw madness of Drifting Classroom, or the more subtle and historical action-take on yokai in Dororo. That said, this 2-volume monstrosity it blissful and revolting, depicting a juvenile (but at times, intensely GROSS and CREEPY) series of unfortunate events. I feel like Viz has a few more Umezu series up their sleeves (Makoto-chan? My Name is Shingo? Baptism?) and I can't wait.

Tokyo Zombie by Yusaku Hanakuma

I can't in good conscience put a book Evan and I worked on into my "best of-" list, but I sincerely think this was one of the most pleasurable reads of the year (even after the 60+ times I read the book). Our first published translation/adaptation, Tokyo Zombie will always be near the top of my favorite manga list, of any year.

COMING VERY SOON: Best Comics! Best Blogs! and Most Anticipated 2009!